ࡱ> ]_\a Y9bjbjڥڥ *jR\R\Y1d d tdT$K$M$M$M$M$M$M$$&d)q$q$$K$K$r"To#pա=Q #7$$0$#V))o#)o#q$q$$)d > : Susan Lynn Aronstein Department of English University of Wyoming Laramie, Wyoming 82071 aronstei@uwyo.edu Work: (307) 766-2373 Home: (307) 742-8831 Education Ph.D., English and Comparative Literatures, Stanford University, 1987 M.Sc., Medieval Languages, Edinburgh University, 1984 B.A., English, Seattle Pacific University, 1980 Publications Books Aronstein Susan and Tison Pugh, eds.. The Disney Middle Ages: A Fairy Tale and Fantasy Past. New York: Palgrave MacMillan, 2012; paperback, 2015. Aronstein, Susan. Medieval British Arthurian Narrative. For the book series, New Perspectives in Medieval Literature. Gainesville: University of Florida Press, 2012; paperback, 2014. Aronstein, Susan. Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia. New York: Palgrave, 2005. Articles Aronstein Susan, and Jason Thompson. Coding the Grail: Ready Player Ones Arthurian Mash-up. Arthuriana 25:4 (2015): 51-65. Aronstein, Susan and Laurie Finke. Discipline and Pleasure: The Pedagogical Work of Disneyland. Educational Philosophy and Theory 45:6 (2013): 610-624. Aronstein, Susan and Laurie Finke. Queens of Avalon: William Forbushs Arthurian Antidote. Arthuriana. Arthuriana 22.3 (2012): 1-20. Aronstein, Susan and Robert Torry. Magic Happens: Re-Enchanting Disney Adults. Weber: Contemporary West. Film Focus (Spring/Summer 2010): 40-54. Aronstein, Susan and Laurie Finke. Got Grail?: Monty Python and the Broadway Stage. Theater Survey 48 (2007): 289-311. Aronstein, Susan. Becoming Cymraeg: Counter-Colonialism and the Negotiation of Native Identity in Peredur vab Efrawc. Exemplaria 17.1 (2005): 135-168. Aronstein, Susan. The Return of the King: Medievalism and the Politics of Nostalgia in the Mythopoetic Mens Movement. Prose Studies 23 (2000): 144-159. Aronstein, Susan. Not Exactly a Knight: Arthurian Narrative and Recuperative Politics in the Indiana Jones Trilogy. Cinema Journal 34 (1995): 3-30. Aronstein, Susan. When Arthur Held Court in Caer Llion: Love, Marriage and the Politics of Centralization in Gereint and Owein. Viator 25 (1994): 215-228. Aronstein, Susan and Nancy Coiner. Twice Knightly: Democratizing the Middle Ages for Middle Class America. Studies in Medievalism VI (1994): 212-231. Aronstein, Susan. Cresseid Reading Cresseid: Redemption and Translation in Henrysons Testament. Scottish Literary Journal 21 (1994): 5-21. Aronstein, Susan. Rewriting Percevals Sister: Eucharistic Vision and Typological Destiny in the Queste del San Graal. Womens Studies 21 (1991): 211-230. Aronstein, Susan. Chevaliers Estre Dessiez: Power, Discourse and the Chivalric in Chrtiens Conte du Graal. Assays VI (1991): 3-28. Aronstein, Susan. Prize or Pawn?: Homosocial Order, Marriage and the Redefinition of Women in the Gawain Continuation. Romanic Review 82 (1991): 115-126. Book Chapters Aronstein, Susan, Beyond the Fields We Know: Welsh Literature and the Fantasy Tradition. In The Cambridge Companion to Welsh Literature. Ed. Helen Fulton, Cambridge: Cambridge University Press. In Press. Aronstein, Susan and Peter Parolin. The Plays the Thing: The Cinematic Fortunes of Chaucer and Shakespeare. In Chaucer on Screen: Absence, Presence and Adapting the Canterbury Tales. Eds. Kathleen Kelly and Tison Pugh. Ohio State University Press. 2016: 33-44. Aronstein, Susan, Higitus! Figitus!: Merlin and the Disney Magic. In Its the Disney Version! Ed. Douglas Brode. Maryland: Scarecrow Press. 2016: 129-140. Aronstein, Susan and Laurie Finke. Conjuring the Ghosts of Camelot: Tintagel and the Medievalism of Heritage Tourism. In Medieval Afterlives in Contemporary Culture. Ed. Gail Ashton. Bloomsbury/Continuum. 2015: 200-212. Aronstein, Susan. The Da Vinci Code and the Myth of History. In The Grail on Film. Ed. Kevin J. Harty. McFarland, 2015: 112-127. Aronstein, Susan, Pilgrimage and Medieval Narrative Structures in Disneys Parks, In The Disney Middle Ages: A Fairy Tale and Fantasy Past. Eds. Tison Pugh and Susan Aronstein. New York: Palgrave MacMillan, 2012: 57-76/ Aronstein, Susan. When Civilization Was Less Civilized: Erik the Viking. In The Vikings on Film. Ed. Kevin J. Harty. North Carolina: MacFarland Press, 2011. Aronstein, Susan and Robert Torry. Chivalric Conspiracies: Hollywoods Templar Legacy. In Hollywood in the Holy Land. Ed. Nicholas Haydock, North Carolina: McFarland Press, 2009: 225-245. Aronstein, Susan. The Hollywood Tradition. In The Blackwell Companion to Arthurian Legend. Ed. Helen Fulton. Oxford: Blackwell Press, 2009: 495-510. Aronstein, Susan. In My Own Idiom: The Queer Performance of Gender in Monty Python and The Holy Grail. In Queer Movie Medievalisms. Eds. Kathleen Kelly and Tison Pugh. Surrey: Ashgate Press, 2009: 115-128 Aronstein, Susan and Robert Torry. Whos Your Daddy?: Politics and Paternity in the Star Wars Saga. The Legend Returns and Dies Harder Another Day: Essays on Film Series.. Ed. Jennifer Forrest. North Carolina: McFarland Press, 2008: 158-177. Aronstein, Susan. Wales: Education and Culture. In The Blackwell Companion to Later Medieval Britain. Ed. Stephen Rigby. Oxford: Blackwell Press, 2003: 541-557. Under Review Aronstein, Susan and Jeanne Holland, Whiteness, Whiteness Everywhere: The Disney Civil War. The Civil War on Screen. Ed. Doug Brode, Scarecrow Press. Reprints Aronstein, Susan. Revisiting the Round Table: Arthurs American Dream. In The History on Film Reader. Ed. Marnie Hughes Warrington. New York: Routledge, 2009: Chapter 15. Aronstein, Susan. Not Exactly a Knight: Arthurian Narrative and Recuperative Politics in the Indiana Jones Trilogy. In Contemporary Literary Criticism, Volume 188. Detroit: Thomson-Gale, 2004: 184-200. Aronstein, Susan. The Return of the King: Medievalism and the Politics of Nostalgia in the Mythopoetic Mens Movement. In Medievalism and the Quest for the Real Middle Ages. Ed. Claire Simmons. London: Frank Cass, 2001: 144-159. Aronstein, Susan. Chevaliers estre dessiez: pouvoir, discours, et courtoisie dans le Conte du Graal. In Polyphonie du Graal. Ed Denis He. Orleans: Paradigme, 1998: 11-31. (Translation of Chevaliers Estre Dessiez: Power, Discourse and the Chivalric in Chrtiens Conte du Graal). Reviews: Aronstein, Susan. Review of The Medieval Hero on Screen. Eds. Martha Driver and Sid Ray. Arthuriana 15.2 (2005): 67-68. Aronstein, Susan. Review of The Holy Grail. Richard Barbar. Church History. Forthcoming. In Preparation: Aronstein, Susan and Robert Torry. Mourning in America: Loss and Redemption in the Films of Steven Spielberg. Aronstein, Susan and Tison Pugh, eds. The United States of Medievalism Aronstein, Susan, Laurie Finke, Kathleen Kelly and Martin Shihctman, Communing with Ghosts: Medieval Heritage Tourism. Kent Drummond, Terri Rittenberg, and Susan Aronstein, The Road to Wicked Selected Conference Presentations Glastonbury: Atlantis Rising. Modern Language Association. Austin, TX, 2016. Guides to Medieval Time Travel: Glastonbury. BABEL, Toronto, 2016. Avalon of the Heart: Mapping Medievalism in Glastonbury. Featured Plenary Speaker, International Studies in Medievalism, Pittsburgh, PA, 2015. Camelot Will Awaken Here!: Tintagel and the Tourist Gaze. (Co-presenter, Laurie Finke), International Popular Culture Association, New Orleans. LA, 2015. Honors in Transition. National Collegiate Honors Council. Denver, CO, 2014. Frederick Glasscocks New Round Table. (Co-presenter, Laurie Finke), International Studies in Medievalism. Atlanta, GA, 2014. Sirens Under Glass: Veronica Whalls Lady of the Lake. (co-presenter, Laurie Finke) BABEL Working Group. Santa Barbara, CA, 2014. Subversive Sorority: The Naughty Nuns of Starz Camelot. (co-presenter, Martin Shichtman), International Arthurian Congress. Bucharest, 2014. Graves, Grails and Goddesses: A Glastonbury Pilgrimage. International Arthurian Congress. Bucharest, 2014. Haunts in the Academy: Vampires, Witches and Medievalists (Oh My!). BABEL. Boston, MA, 2012. Coding the Grail: Ready Player Ones Arthurian Mash-up. International Popular Culture Association. Boston, MA, 2012. The Queens of Avalon: William Forbushs Arthurian Antidote. (Co-presenter, Laurie Finke). International Arthurian Society. Bristol, U.K., 2011. National Treasure: Americas Lost Native Arthurian Past. International Congress on Medieval Studies. Kalamazoo, MI., 2011. Remediating Chaucer: Fan Fiction, the Expert Paradigm and Convergence Culture. New Chaucer Society, Siena, Italy, 2010 Translating Spamalot: From Broadway to the West End. (Co-presenter Laurie Finke) International Popular Culture Association, New Orleans, 2009. Necessary Power: Manifest Destiny and Post-Nuclear Anxiety in The Adventures of Sir Galahad. Medieval Congress, Kalamazoo, MI, 2009. Chivalric Conspiracies: Secret Codes and Hidden Grails from War in Heaven to The Da Vinci Code. Medieval Institute, Kalamazoo MI, 2008. Knights of the Academy: Chivalry and Conspiracy in Contemporary Hollywood Film.International Arthurian Society, Rennes, France, 2008. The Best There Ever Was: Invasion and Restoration in The Natural. Medieval Institute, Kalamazoo, MI, 2006 The Rome You Talk of Doesnt Exist: National Identity and Ideological Confusion in Jerry Bruckheimers King Arthur. International Arthurian Society, Utrecht, 2005. The Violence Inherent in the System: Anti-Medievalism in Monty Python and the Holy Grail. Medieval Institute, Kalamazoo, MI, 2003. He Forbade Me to Utter Any Sound: Re-silencing the Women in Sir Peter Halls Production of John Bartons Tantalus. National Communications Association, New Orleans, 2003. Top-rated paper, theater division. The King and the Land Are One: Counter-Politics in John Boormans Excalibur. Medieval Institute. Kalmazoo, MI, 2002. Once There Was a Spot: Genre, Arthurian Narrative and the Politics of Nostalgia in Lerner and Loewes Camelot. International Conference on Medievalism, Bozeman, MT, 1999. From Cinderella to Saint: Medieval Patterns in the Renarration of the Life of Diana, Princess of Wales. Rocky Mountain Medieval and Renaissance Association, Big Sky, MT, 1998. Wounded Sons: The Mens Movement and the Fisher Kings Rewriting of Arthurian Narrative. International Conference on Medievalism, Worcester, MA, 1995. Arthurs American Dream: Distory and Medieval Narrative in Fantasyland. Rocky Mountain Medieval and Renaissance Association, Flagstaff, AZ, 1993. Goddess, Wife, Whore, Victim: Mythology and Politics in the Mabinogi. Celtic Studies Association, Los Angeles, CA, 1992. Gereint vab Erbin: A New Historical Approach. Modern Language Association, San Francisco, CA, 1991. Eves Spindle: Womens Story and Womens History in the Queste del San Graal. Medieval Institute, Kalamazoo, MI, 1990. Power and Narrative in Christine di Pisans Treasure of the City of Ladies. Medieval Institute, Kalamazoo, MI, 1989. Y Seint Greal: Narrative Transformations from the Old French Perlesvaus. Celtic Studies Association, Los Angeles, CA, 1988. The Decentered Center: Displacement and Deferral in the Verse Continuations of Chrtiens Perceval. Medieval Institute, Kalamazoo, MI, 1988. Honors and Awards Arts and Sciences Extraordinary Merit in Research, 2006; 2013 University of Wyoming, Distinguished Graduate Mentor, 2011 Wyoming Honors Association, Upper-Division Teaching Award, 2007 Wyoming Honors Association, Freshman Teaching Award, 2005 Hollon Award for Teaching Excellence in Off-Campus Programs (university-wide), 2003 Arts and Sciences Top Ten Teacher, 2002, 1996 Elbogen Meritorious Classroom Teaching Award (university-wide), 1997 Arts and Sciences Extraordinary Merit in Advising, 1996 Excellence in Advising, 1995 Top Professor, Mortar Board, 2007, 1995, 1987 Arts and Sciences Extraordinary Merit in Teaching, 1993 Teaching Fields Chaucer, Middle English, medieval Welsh literature, mythology, Arthurian literature and film, film studies, women in the Middle Ages, critical theory, popular culture, fantasy literature, Disney, Tom Stoppard. 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